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        <title>Folkways  | UNC-TV</title>
        <description>From folk art and folk music to simple pioneer living, many of North Carolina&apos;s residents have passed down history and traditions begun by the first state settlers. Folkways, hosted by Grammy Award-winning musician David Holt, introduces some of the people who strive to keep the state&apos;s history alive, either with splendid heritage handcrafting or continuing a vintage way of life that first appeared in the state&apos;s earlier days. &lt;br /&gt;
You can subscribe to a MPG3 version of the whole series at &lt;br /&gt;
&lt;a href=&quot;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&quot;&gt;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&lt;/a&gt;</description>
        <link>http://www.unctv.org/folkways/</link>
        <copyright>Copyright  UNC-TV, All Rights Reserved</copyright>
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        <language>en-us</language>
        <lastBuildDate>Fri, 22 Dec 2006 10:28:26 -0500</lastBuildDate>
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        <pubDate>Fri, 22 Dec 2006 10:13:10 -0500</pubDate>
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        <itunes:subtitle>Folkways | UNC-TV</itunes:subtitle>
        <itunes:summary>From folk art and folk music to simple pioneer living, many of North Carolina&apos;s residents have passed down history and traditions begun by the first state settlers. Folkways, hosted by Grammy Award-winning musician David Holt, introduces some of the people who strive to keep the state&apos;s history alive, either with splendid heritage handcrafting or continuing a vintage way of life that first appeared in the state&apos;s earlier days.</itunes:summary>
        <itunes:author>UNC-TV</itunes:author>
        <itunes:owner>
            <itunes:name>UNC-TV</itunes:name>
            <itunes:email>webteam@unctv.org</itunes:email>
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        <itunes:category text="TV &amp; Film"/>
        <itunes:category text="Society &amp; Culture">
            <itunes:category text="Places &amp; Travel"/>
        </itunes:category>
        <itunes:category text="Arts"/>
        <itunes:keywords>Folkways,arts,craftsheritage,handcrafting,music,folklore,nature,North Carolina,UNC-TV,UNCTV</itunes:keywords>
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            <title>Folkways  | UNC-TV</title>
            <link>http://www.unctv.org/folkways/</link>
            <description>The Woodwright’s Shop with Roy Underhill</description>
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            <height>300</height>
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            <title>The Banjo</title>
            <description>While the banjo has enjoyed popularity in the South for over 100 years, its history in the world is much longer. The banjo actually originated in Africa, and as Folkways host David Holt explains, slowly migrated to the Southern mountains after the Civil War. The Banjo weaves together the history and technique of the instrument that has made its reputation as an icon of the South to introduce some of its most dedicated players.&lt;br /&gt;&lt;br /&gt;
You can subscribe to a MPG3 version of the whole series at &lt;br /&gt;
&lt;a href=&quot;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&quot;&gt;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&lt;/a&gt;</description>
            <link>http://podcast.unctv.org/folkways/fw_the_banjo.mp3</link>
            <author>webteam@unctv.org</author>
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            <pubDate>Fri, 22 Dec 2006 10:13:10 -0500</pubDate>
            <itunes:subtitle>The Banjo</itunes:subtitle>
            <itunes:summary>While the banjo has enjoyed popularity in the South for over 100 years, its history in the world is much longer. The banjo actually originated in Africa, and as Folkways host David Holt explains, slowly migrated to the Southern mountains after the Civil War. The Banjo weaves together the history and technique of the instrument that has made its reputation as an icon of the South to introduce some of its most dedicated players. As the banjo has aged, picking and musical styles have evolved with it, but it still stands as one of the South&apos;s most popular musical instruments. Carlie Marion from Elkin, NC, demonstrates the clawhammer style, a picking style popular 100 years ago. David then takes us to Madison, NC, to meet the Senior Band o Madison., a group of three retired men who gather weekly to play some of the older NC folk music. Younger musicians, like Kirk Sutphin, carry on the tradition from fathers or grandfathers and play in some of the fiddlers conventions or with some of the older banjo players. Some of the South&apos;s noted musicians like Earl Scruggs and Charlie Poole have legacies that last even now through current generations, as Poole&apos;s grandson, who still uses his grandfather&apos;s banjo to play in a three-finger picking style that predated bluegrass. Bluegrass, a notable favorite in North Carolina, still rings in North Carolina through players like T.W. Lambert, who talks about why he loves playing it.

So if you love the rhythmic twang of the banjo and are in the mood for a foot-tapping beat, watch The Banjo and learn about how this wonderful instrument originated while meeting some of its most faithful players.</itunes:summary>
            <itunes:duration>26:53</itunes:duration>
            <itunes:author>UNC-TV</itunes:author>
            <itunes:keywords>Banjo,Folkways,arts,craftsheritage,handcrafting,music,folklore,nature,North Carolina,UNC-TV,UNCTV</itunes:keywords>
            <itunes:explicit>no</itunes:explicit>
            <itunes:block>no</itunes:block>
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        <item>
            <title>Coastal Carvers</title>
            <description>In Folkways Coastal Carvers, some of the most talented carvers on Harkers Island exhibit their wares and explain how they began making decoys and why they continue. James Rose, miniature boat builder, demonstrates his boats and talks about why he built each one and the significance it has to him. Curt Salter, decoy carver and founding member of the Core Sound Guild, explains step by step how he chooses the wood for a decoy and then cuts and carves it until it resembles a duck&apos;s body and head. His collection of historic decoys from a time when they brought home dinner is also quite impressive. Wayne Davis and Carl Huff are two other carvers that have designed their own styles of decoys.
&lt;br /&gt;&lt;br /&gt;
You can subscribe to a MPG3 version of the whole series at &lt;br /&gt;
&lt;a href=&quot;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&quot;&gt;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&lt;/a&gt;</description>
            <link>http://podcast.unctv.org/folkways/fw_coastal_carvers.mp3</link>
            <author>webteam@unctv.org</author>
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            <pubDate>Fri, 22 Dec 2006 10:13:09 -0500</pubDate>
            <itunes:subtitle>Coastal Carvers</itunes:subtitle>
            <itunes:summary>Wooden duck decoys have gained popularity in the last 30 years as both home decorations and treasures passed down from father to son or grandfather to grandson. On the North Carolina coast, however, boat and decoy carving has meant more than trinkets. Woodworkers carve decoys for a variety of reasons. Some still use them to hunt prey. Others enjoy recreating a part of nature. And others make a living selling them, replicating not only ducks but birds and other wild fowl. Decoy-making was so popular on Harkers Island that several carvers decided to band together in a guild and denote a day that they could gather and sell their crafts under one roof. Their ideas resulted in the Core Sound Decoy Carvers Guild and the Core Sound Decoy Festival.

In Folkways Coastal Carvers, some of the most talented carvers on Harkers Island exhibit their wares and explain how they began making decoys and why they continue. James Rose, miniature boat builder, demonstrates his boats and talks about why he built each one and the significance it has to him. Curt Salter, decoy carver and founding member of the Core Sound Guild, explains step by step how he chooses the wood for a decoy and then cuts and carves it until it resembles a duck&apos;s body and head. His collection of historic decoys from a time when they brought home dinner is also quite impressive. Wayne Davis and Carl Huff are two other carvers that have designed their own styles of decoys.</itunes:summary>
            <itunes:duration>26:13</itunes:duration>
            <itunes:author>UNC-TV</itunes:author>
            <itunes:keywords>Coastal Carvers, carvers,Folkways,arts,craftsheritage,handcrafting,music,folklore,nature,North Carolina,UNC-TV,UNCTV</itunes:keywords>
            <itunes:explicit>no</itunes:explicit>
            <itunes:block>no</itunes:block>
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        <item>
            <title>Earth Skills</title>
            <description>Folkways Earth Skills introduces these participants, as well as the survival skills they are learning. Differentiating between edible and toxic plants, for instance, proves valuable for meals. Rivercane has various uses, from weapons to baskets. One instructor demonstrates making pottery without the use of a pottery wheel or a large constructed kiln. Workshop participants learn how to make weapons, prepare animal hide for use in clothing or shelter and make a fire without using matches. No telephones, no computers, no electricity--these participants come to the workshop to get in touch with ancient ways and their natural surroundings. While living without meals that can be cooked in less than 15 minutes and gadgets that reduce several of the steps in our tasks may not sound like fun, instructors and participants show that even at the end of a day in which they have made their own utensils, gathered their own food and prepared their own clothing, they still have time to play music and dance.
&lt;br /&gt;&lt;br /&gt;
You can subscribe to a MPG3 version of the whole series at &lt;br /&gt;
&lt;a href=&quot;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&quot;&gt;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&lt;/a&gt;</description>
            <link>http://podcast.unctv.org/folkways/fw_earth_skills.mp3</link>
            <author>webteam@unctv.org</author>
            <enclosure url="http://podcast.unctv.org/folkways/fw_earth_skills.mp3" length="12951037" type="audio/mpeg"/>
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            <pubDate>Fri, 22 Dec 2006 10:13:08 -0500</pubDate>
            <itunes:subtitle>Earth Skills</itunes:subtitle>
            <itunes:summary>For the average person today, a typical day means waking up to a cup of coffee brewed from an automatic coffeemaker, perhaps a microwaved packaged pastry or a trip to MacDonald&apos;s. Most people don&apos;t think of life without the conveniences that automation and fast food restaurants have brought us. However, in a camp in the mountains of Georgia, groups of people flock to retreat from everyday technology and learn how to live on what the earth provides alone. In these Earthskills workshops at Unicoi State Park in Helen, Georgia, participants live in teepees, make their own dishes and utensils, cook over a fire made by rubbing two sticks together, and learn how to form weapons to hunt for their food.

Folkways Earth Skills introduces these participants, as well as the survival skills they are learning. Differentiating between edible and toxic plants, for instance, proves valuable for meals. Rivercane has various uses, from weapons to baskets. One instructor demonstrates making pottery without the use of a pottery wheel or a large constructed kiln. Workshop participants learn how to make weapons, prepare animal hide for use in clothing or shelter and make a fire without using matches. No telephones, no computers, no electricity--these participants come to the workshop to get in touch with ancient ways and their natural surroundings. While living without meals that can be cooked in less than 15 minutes and gadgets that reduce several of the steps in our tasks may not sound like fun, instructors and participants show that even at the end of a day in which they have made their own utensils, gathered their own food and prepared their own clothing, they still have time to play music and dance.</itunes:summary>
            <itunes:duration>26:58</itunes:duration>
            <itunes:author>UNC-TV</itunes:author>
            <itunes:keywords>Earth Skills,survival,Folkways,arts,craftsheritage,handcrafting,music,folklore,nature,North Carolina,UNC-TV,UNCTV</itunes:keywords>
            <itunes:explicit>no</itunes:explicit>
            <itunes:block>no</itunes:block>
        </item>
        <item>
            <title>The Guitar</title>
            <description>Host David Holt begins by introducing Dale McCoy, who demonstrates his style of finger picking, a style viewers may recognize from The Potters of Seagrove. Wayne Henderson not only dazzles audiences with the flight of his fingers, but he invites us into his guitar shop, where he explains the precision and care involved in handcrafting a guitar. Paul Graybeal, known well by people who collect guitars, handcrafts miniature and full-sized guitars, but devotes as much time and care to the process as one would do with a guitar that can play. Bryan Sutton demonstrates flat-picking and its variations and explains the demands made of a session player in Nashville. As a final treat, David Holt plays alongside the legendary Doc Watson, one of the great pioneers of Appalachian folk music.&lt;br /&gt;&lt;br /&gt;
You can subscribe to a MPG3 version of the whole series at &lt;br /&gt;
&lt;a href=&quot;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&quot;&gt;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&lt;/a&gt;</description>
            <link>http://podcast.unctv.org/folkways/fw_the_guiar.mp3</link>
            <author>webteam@unctv.org</author>
            <enclosure url="http://podcast.unctv.org/folkways/fw_the_guiar.mp3" length="12844246" type="audio/mpeg"/>
            <guid isPermaLink="false">5501E323-86DC-49CE-A036-566BE27857AF</guid>
            <pubDate>Fri, 22 Dec 2006 10:13:07 -0500</pubDate>
            <itunes:subtitle>The Guitar</itunes:subtitle>
            <itunes:summary>If anyone had to answer a question about North Carolina&apos;s main musical instrument, the answer would be simple: the guitar. The guitar has found a home throughout North Carolina, and the mountains have cradled musicians like Wayne Henderson, Bryan Sutton and Doc Watson. FolkwaysThe Guitar seeks to demonstrate the range of guitar playing styles and sounds by calling on some talented players who have devoted their lives to playing or making guitars.

Host David Holt begins by introducing Dale McCoy, who demonstrates his style of finger picking, a style viewers may recognize from The Potters of Seagrove. Wayne Henderson not only dazzles audiences with the flight of his fingers, but he invites us into his guitar shop, where he explains the precision and care involved in handcrafting a guitar. Paul Graybeal, known well by people who collect guitars, handcrafts miniature and full-sized guitars, but devotes as much time and care to the process as one would do with a guitar that can play. Bryan Sutton demonstrates flat-picking and its variations and explains the demands made of a session player in Nashville. As a final treat, David Holt plays alongside the legendary Doc Watson, one of the great pioneers of Appalachian folk music.</itunes:summary>
            <itunes:duration>26:45</itunes:duration>
            <itunes:author>UNC-TV</itunes:author>
            <itunes:keywords>Guitar,Folkways,arts,craftsheritage,handcrafting,music,folklore,nature,North Carolina,UNC-TV,UNCTV</itunes:keywords>
            <itunes:explicit>no</itunes:explicit>
            <itunes:block>no</itunes:block>
        </item>
        <item>
            <title>Homestead Living</title>
            <description>In Homestead Living, Eustace introduces us to activities nearly forgotten by most people, activities that are part of his everyday life. Building a shelter, blacksmithing, raising horses and gardening take us back to a time before refrigerators were even a concept and department stores were available. Younger people who train on Eustace&apos;s farm stay for a year and find an inner strength that teaches them about their environment and gives them an appreciation for the land around them.&lt;br /&gt;&lt;br /&gt;
You can subscribe to a MPG3 version of the whole series at &lt;br /&gt;
&lt;a href=&quot;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&quot;&gt;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&lt;/a&gt;</description>
            <link>http://podcast.unctv.org/folkways/fw_homestead_living.mp3</link>
            <author>webteam@unctv.org</author>
            <enclosure url="http://podcast.unctv.org/folkways/fw_homestead_living.mp3" length="12861389" type="audio/mpeg"/>
            <guid isPermaLink="false">FBA5BBED-755C-4073-8BE8-E386A1CFE314</guid>
            <pubDate>Fri, 22 Dec 2006 10:13:06 -0500</pubDate>
            <itunes:subtitle>Homestead Living</itunes:subtitle>
            <itunes:summary>Eustace bought Turtle Island, a tract of land in the Appalachian wilderness, after living for 17 years in a teepee and roaming about as he hunted for food. As a boy, he grieved as he saw houses and roads replace the trees and grass that delighted him. Wanting to be in touch with a part of life that he missed, he decided to spend his adult years homesteading--building his own tools and shelter, growing his own food and making his own clothes.

In Homestead Living, Eustace introduces us to activities nearly forgotten by most people, activities that are part of his everyday life. Building a shelter, blacksmithing, raising horses and gardening take us back to a time before refrigerators were even a concept and department stores were available. Younger people who train on Eustace&apos;s farm stay for a year and find an inner strength that teaches them about their environment and gives them an appreciation for the land around them.</itunes:summary>
            <itunes:duration>26:47</itunes:duration>
            <itunes:author>UNC-TV</itunes:author>
            <itunes:keywords>Homestead Living,homesteading,Folkways,arts,craftsheritage,handcrafting,music,folklore,nature,North Carolina,UNC-TV,UNCTV</itunes:keywords>
            <itunes:explicit>no</itunes:explicit>
            <itunes:block>no</itunes:block>
        </item>
        <item>
            <title>The Legend of Tom Dula</title>
            <description>The Legend of Tom Dula shares the history of the song and some ideas about the story from some people who can trace their roots back to the Happy Valley clan and others who have spent their lives fascinated with this obscure murder. Besides sharing some of the hearsay from the testimony and some opinions about who really committed the deed, the program sheds light on Frank Proffitt&apos;s involvement in the song, how the Kingston Trio discovered it, and how Frank finally received credit for the Kingston Trio&apos;s version of the song. &lt;br /&gt;&lt;br /&gt;
You can subscribe to a MPG3 version of the whole series at &lt;br /&gt;
&lt;a href=&quot;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&quot;&gt;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&lt;/a&gt;</description>
            <link>http://podcast.unctv.org/folkways/fw_tom_dula.mp3</link>
            <author>webteam@unctv.org</author>
            <enclosure url="http://podcast.unctv.org/folkways/fw_tom_dula.mp3" length="12857633" type="audio/mpeg"/>
            <guid isPermaLink="false">F3EE0FF5-1413-4FA3-A540-B206DE5DD6C4</guid>
            <pubDate>Fri, 22 Dec 2006 10:13:05 -0500</pubDate>
            <itunes:subtitle>The Legend of Tom Dula</itunes:subtitle>
            <itunes:summary>A little over 130 years ago in a small rural North Carolina town in Wilkes County, a young girl of meager means left home to meet her fiancé in the woods. She had hidden her special dress under her house clothes and had packed her belongings in a trundle bag, ready for her new life. She sat in the woods and waited for her beloved, and someone met her there--someone who hated her enough to kill her and drag her to a small grave that the person had dug the evening before. A few months later, her fiancé was captured and tried for the crime. After one appeal, he was condemned for her murder and hanged.

The story of Tom Dula and his unfortunate fiancée Laura Foster made the headlines in 1866, from as far away as New York. The Civil War had ended and the Reconstruction of the South had begun, but not without bitter feelings on both sides. So a murder of a poor, uneducated girl by an equally poor boy sparked a legend in the South and a headline story in the North. Some time after Tom Dula was executed, someone wrote a ballad, put it to music, and the legend of Tom Dula was born.</itunes:summary>
            <itunes:duration>26:47</itunes:duration>
            <itunes:author>UNC-TV</itunes:author>
            <itunes:keywords>Tom Dula,legend,Folkways,arts,craftsheritage,handcrafting,music,folklore,nature,North Carolina,UNC-TV,UNCTV</itunes:keywords>
            <itunes:explicit>no</itunes:explicit>
            <itunes:block>no</itunes:block>
        </item>
        <item>
            <title>Old-Time Fiddlers Convention</title>
            <description>On the first weekend in June every year, men and women, young and old, gather together in Mount Airy, North Carolina for the annual Old Time Fiddlers Convention. The competition draws people from nearly every state in the U.S., and there are even a few people from overseas who venture to the small town in quaint Surry County. On Folkways&apos; Old Time Fiddlers Convention, David Holt introduces us to some of the people who bring their fiddles, banjos, guitars, or bass. Mike Seeger, a musician who has collected and performed old time music for over 40 years, accompanies David on the Jaw Harp. Ralph Blizzard from eastern Tennessee shows off his long bow style of fiddle playing. &lt;br /&gt;&lt;br /&gt;
You can subscribe to a MPG3 version of the whole series at &lt;br /&gt;
&lt;a href=&quot;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&quot;&gt;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&lt;/a&gt;</description>
            <link>http://podcast.unctv.org/folkways/fw_fiddlers_convention.mp3</link>
            <author>webteam@unctv.org</author>
            <enclosure url="http://podcast.unctv.org/folkways/fw_fiddlers_convention.mp3" length="12894419" type="audio/mpeg"/>
            <guid isPermaLink="false">3341C08E-6524-43AC-808D-376A9095B2EA</guid>
            <pubDate>Fri, 22 Dec 2006 10:13:04 -0500</pubDate>
            <itunes:subtitle>Old-Time Fiddlers Convention</itunes:subtitle>
            <itunes:summary>On the first weekend in June every year, men and women, young and old, gather together in Mount Airy, North Carolina for the annual Old Time Fiddlers Convention. The competition draws people from nearly every state in the U.S., and there are even a few people from overseas who venture to the small town in quaint Surry County. On Folkways&apos; Old Time Fiddlers Convention, David Holt introduces us to some of the people who bring their fiddles, banjos, guitars, or bass. Mike Seeger, a musician who has collected and performed old time music for over 40 years, accompanies David on the Jaw Harp. Ralph Blizzard from eastern Tennessee shows off his long bow style of fiddle playing. 

Far from being a typical conference or competition, the participants of the Fiddlers Convention come for the fun. While groups perform on stage to be judged, other groups practice backstage, creating a cacophony of squeals and strums from fiddles and banjos playing a wide variety of traditional tunes. While other groups play music under their tents, adults and children clog and dance on some of the wooden stages set on the grass. Musicians from Bologna, Italy, and Raleigh, North Carolina show that the western North Carolina mountain area is not the only home for these favorite melodies. David talks to some pre-teens who play old-time music because it&apos;s fun, and who will develop their own styles and pass them down, keeping the music of the hills alive in North Carolina for a long time to come.</itunes:summary>
            <itunes:duration>26:51</itunes:duration>
            <itunes:author>UNC-TV</itunes:author>
            <itunes:keywords>Fiddlers Convention,Folkways,arts,craftsheritage,handcrafting,music,folklore,nature,North Carolina,UNC-TV,UNCTV</itunes:keywords>
            <itunes:explicit>no</itunes:explicit>
            <itunes:block>no</itunes:block>
        </item>
        <item>
            <title>Piedmont Blues</title>
            <description>David Holt talks to three talented artists and experiences the whole spectrum of Piedmont Blues. Etta Baker, a well-known artist in the North Carolina mountains, plays old favorites like &quot;Knoxville Rag&quot; and &quot;Careless Love.&quot; She also plays a traditional blues song, showing the difference between the type of beat most people associate with &quot;blues&quot; and the ragtime style of Piedmont Blues. She also plays some slide guitar with &quot;John Henry.&quot; David also plays his guitar beside George Higgs, another artist who plays the blues in the style of Blind Boy Fuller, a blues artist of the 1930s. George also slides the blues on his harmonica, as David accompanies him. Finally, David introduces us to John Dee Holeman of Durham, North Carolina, who plays the modern style of blues that emanated from the war. Playing his electric guitar in the styles of both Blind Boy Fuller and Lightning Hopkins, John concludes Piedmont Blues with a beat that will get your toes tapping.&lt;br /&gt;&lt;br /&gt;
You can subscribe to a MPG3 version of the whole series at &lt;br /&gt;
&lt;a href=&quot;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&quot;&gt;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&lt;/a&gt;</description>
            <link>http://podcast.unctv.org/folkways/fw_piedmon_blues.mp3</link>
            <author>webteam@unctv.org</author>
            <enclosure url="http://podcast.unctv.org/folkways/fw_piedmon_blues.mp3" length="12909870" type="audio/mpeg"/>
            <guid isPermaLink="false">6B58DCE8-7F08-4E60-B24B-8860213162CB</guid>
            <pubDate>Fri, 22 Dec 2006 10:13:03 -0500</pubDate>
            <itunes:subtitle>Piedmont Blues</itunes:subtitle>
            <itunes:summary>In the mid-1920s, a form of guitar music evolved from African-American culture that echoed the soul and personality of African-American life. The style evolved from &quot;rags,&quot; played with banjos, fiddles and percussion. As the guitar replaced the banjo as the lead instrument and songs were picked from the strings rather than strummed, an energetic voice emerged that began to sweep through the Southeast, and it was called Carolina blues, or Piedmont blues. Piedmont blues differed from the tradition blues that lulled a sad, longing story and picked up the pace, peppy enough for people to dance to it. The sound, because it was played with guitar and After World War II, the electric guitar began to replace the acoustic guitar, and the blues picked up an influence from the 1950 rock &apos;n roll.

David Holt talks to three talented artists and experiences the whole spectrum of Piedmont Blues. Etta Baker, a well-known artist in the North Carolina mountains, plays old favorites like &quot;Knoxville Rag&quot; and &quot;Careless Love.&quot; She also plays a traditional blues song, showing the difference between the type of beat most people associate with &quot;blues&quot; and the ragtime style of Piedmont Blues. She also plays some slide guitar with &quot;John Henry.&quot; David also plays his guitar beside George Higgs, another artist who plays the blues in the style of Blind Boy Fuller, a blues artist of the 1930s. George also slides the blues on his harmonica, as David accompanies him. Finally, David introduces us to John Dee Holeman of Durham, North Carolina, who plays the modern style of blues that emanated from the war. Playing his electric guitar in the styles of both Blind Boy Fuller and Lightning Hopkins, John concludes Piedmont Blues with a beat that will get your toes tapping.</itunes:summary>
            <itunes:duration>26:53</itunes:duration>
            <itunes:author>UNC-TV</itunes:author>
            <itunes:keywords>Piedmont,Blues,Folkways,arts,craftsheritage,handcrafting,music,folklore,nature,North Carolina,UNC-TV,UNCTV</itunes:keywords>
            <itunes:explicit>no</itunes:explicit>
            <itunes:block>no</itunes:block>
        </item>
        <item>
            <title>The Potters of Seagrove - Part 1</title>
            <description>In North Carolina and across the nation, Seagrove, NC equals pottery. People from across the nation and around the world come to Seagrove to buy various styles of pottery and muse over the delightful glazes and awesome colors. In The Potters of Seagrove, renowned potters like Sid Luck, Ben Owen, Vernon Owens and the King family show off their wares and relate how they decided to make pottery their career. In addition, scenes from Sid Luck&apos;s annual birthday celebration and the North Carolina Pottery Festival give a fun twist to an art that often invites a reverent silence as pottery and non-pottery fans alike marvel over intricately designed pieces. The Potters of Seagrove introduce other modes of pottery as well, such as face jugs, sure to bring a grin to those who look at them, and pottery sculpture, figurines made without the use of a wheel. See what a kiln looks like and see Raku pottery made before your eyes. In addition, come to the North Carolina Pottery Center and meet Terry Zug, the expert on the history of pottery in North Carolina. 
&lt;br /&gt;&lt;br /&gt;
You can subscribe to a MPG3 version of the whole series at &lt;br /&gt;
&lt;a href=&quot;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&quot;&gt;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&lt;/a&gt;</description>
            <link>http://podcast.unctv.org/folkways/fw_seagrovep_pt1.mp3</link>
            <author>webteam@unctv.org</author>
            <enclosure url="http://podcast.unctv.org/folkways/fw_seagrovep_pt1.mp3" length="12896092" type="audio/mpeg"/>
            <guid isPermaLink="false">2A1A4268-81FE-4BD6-8BCA-DE0DAD10F142</guid>
            <pubDate>Fri, 22 Dec 2006 10:13:02 -0500</pubDate>
            <itunes:subtitle>The Potters of Seagrove - Part 1</itunes:subtitle>
            <itunes:summary>In North Carolina and across the nation, Seagrove, NC equals pottery. People from across the nation and around the world come to Seagrove to buy various styles of pottery and muse over the delightful glazes and awesome colors. In The Potters of Seagrove, renowned potters like Sid Luck, Ben Owen, Vernon Owens and the King family show off their wares and relate how they decided to make pottery their career. In addition, scenes from Sid Luck&apos;s annual birthday celebration and the North Carolina Pottery Festival give a fun twist to an art that often invites a reverent silence as pottery and non-pottery fans alike marvel over intricately designed pieces. The Potters of Seagrove introduce other modes of pottery as well, such as face jugs, sure to bring a grin to those who look at them, and pottery sculpture, figurines made without the use of a wheel. See what a kiln looks like and see Raku pottery made before your eyes. In addition, come to the North Carolina Pottery Center and meet Terry Zug, the expert on the history of pottery in North Carolina. 
Above all is the emphasis on the tradition of pottery and how new potters like David and Mary Farrell and some of Sid Luck&apos;s chemistry students become part of the Seagrove family. For the potters at Seagrove, pottery is more than simply an art or a job--it&apos;s a way of life.</itunes:summary>
            <itunes:duration>26:51</itunes:duration>
            <itunes:author>UNC-TV</itunes:author>
            <itunes:keywords>Potters,Seagrove,Folkways,arts,craftsheritage,handcrafting,music,folklore,nature,North Carolina,UNC-TV,UNCTV</itunes:keywords>
            <itunes:explicit>no</itunes:explicit>
            <itunes:block>no</itunes:block>
        </item>
        <item>
            <title>The Potters of Seagrove - Part 2</title>
            <description>In North Carolina and across the nation, Seagrove, NC equals pottery. People from across the nation and around the world come to Seagrove to buy various styles of pottery and muse over the delightful glazes and awesome colors. In The Potters of Seagrove, renowned potters like Sid Luck, Ben Owen, Vernon Owens and the King family show off their wares and relate how they decided to make pottery their career. In addition, scenes from Sid Luck&apos;s annual birthday celebration and the North Carolina Pottery Festival give a fun twist to an art that often invites a reverent silence as pottery and non-pottery fans alike marvel over intricately designed pieces. The Potters of Seagrove introduce other modes of pottery as well, such as face jugs, sure to bring a grin to those who look at them, and pottery sculpture, figurines made without the use of a wheel. See what a kiln looks like and see Raku pottery made before your eyes. In addition, come to the North Carolina Pottery Center and meet Terry Zug, the expert on the history of pottery in North Carolina. 
&lt;br /&gt;&lt;br /&gt;
You can subscribe to a MPG3 version of the whole series at &lt;br /&gt;
&lt;a href=&quot;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&quot;&gt;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&lt;/a&gt;</description>
            <link>http://podcast.unctv.org/folkways/fw_seagrovep_pt2.mp3</link>
            <author>webteam@unctv.org</author>
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            <pubDate>Fri, 22 Dec 2006 10:13:01 -0500</pubDate>
            <itunes:subtitle>The Potters of Seagrove - Part 2</itunes:subtitle>
            <itunes:summary>In North Carolina and across the nation, Seagrove, NC equals pottery. People from across the nation and around the world come to Seagrove to buy various styles of pottery and muse over the delightful glazes and awesome colors. In The Potters of Seagrove, renowned potters like Sid Luck, Ben Owen, Vernon Owens and the King family show off their wares and relate how they decided to make pottery their career. In addition, scenes from Sid Luck&apos;s annual birthday celebration and the North Carolina Pottery Festival give a fun twist to an art that often invites a reverent silence as pottery and non-pottery fans alike marvel over intricately designed pieces. The Potters of Seagrove introduce other modes of pottery as well, such as face jugs, sure to bring a grin to those who look at them, and pottery sculpture, figurines made without the use of a wheel. See what a kiln looks like and see Raku pottery made before your eyes. In addition, come to the North Carolina Pottery Center and meet Terry Zug, the expert on the history of pottery in North Carolina. 
Above all is the emphasis on the tradition of pottery and how new potters like David and Mary Farrell and some of Sid Luck&apos;s chemistry students become part of the Seagrove family. For the potters at Seagrove, pottery is more than simply an art or a job--it&apos;s a way of life.</itunes:summary>
            <itunes:duration>26:51</itunes:duration>
            <itunes:author>UNC-TV</itunes:author>
            <itunes:keywords>Potters,Seagrove,Folkways,arts,craftsheritage,handcrafting,music,folklore,nature,North Carolina,UNC-TV,UNCTV</itunes:keywords>
            <itunes:explicit>no</itunes:explicit>
            <itunes:block>no</itunes:block>
        </item>
        <item>
            <title>Pottery Revival in Catawba Valley</title>
            <description>The name &quot;Burlon Craig&quot; surfaces memories even for North Carolinians who are not potters. Not only is Burlon a familiar face in the pottery community, his work is so well-known around the state that people come to Catawba Valley pottery festivals from throughout North Carolina, just to buy a piece of his work. As far as North Carolina is concerned, Burlon Craig is the Michaelangelo of clay. Those of you who were a part of Folkways&apos; beginning may have remembered a program in 1982 that featured the famous artist. Pottery Revival in Catawba Valley not only revisits Burlon 16 years later, but it introduces the apprentices and succeeding generations who carry on his tradition.&lt;br /&gt;&lt;br /&gt;
You can subscribe to a MPG3 version of the whole series at &lt;br /&gt;
&lt;a href=&quot;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&quot;&gt;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&lt;/a&gt;</description>
            <link>http://podcast.unctv.org/folkways/fw_pottery_revival.mp3</link>
            <author>webteam@unctv.org</author>
            <enclosure url="http://podcast.unctv.org/folkways/fw_pottery_revival.mp3" length="12957118" type="audio/mpeg"/>
            <guid isPermaLink="false">9B8E678F-2033-4C94-9D1E-BDB4021E8892</guid>
            <pubDate>Fri, 22 Dec 2006 10:13:01 -0500</pubDate>
            <itunes:subtitle>Pottery Revival in Catawba Valley</itunes:subtitle>
            <itunes:summary>The name &quot;Burlon Craig&quot; surfaces memories even for North Carolinians who are not potters. Not only is Burlon a familiar face in the pottery community, his work is so well-known around the state that people come to Catawba Valley pottery festivals from throughout North Carolina, just to buy a piece of his work. As far as North Carolina is concerned, Burlon Craig is the Michaelangelo of clay. Those of you who were a part of Folkways&apos; beginning may have remembered a program in 1982 that featured the famous artist. Pottery Revival in Catawba Valley not only revisits Burlon 16 years later, but it introduces the apprentices and succeeding generations who carry on his tradition.

Burlon&apos;s favorite pottery style is the face jug. In addition to face jugs, he makes several more traditional pieces, but all of them leave his hands practically the moment he takes them from the kiln. Kim Ellington and Charlie Lisk, two potters who learned how to turn pots by watching Burlon in the studio, now each have their own shops. But the greatest testimony of Burlon&apos;s success is his son, Don, and his grandson, Dwayne, both who have taken up pottery as a trade but have implemented their own styles.</itunes:summary>
            <itunes:duration>26:58</itunes:duration>
            <itunes:author>UNC-TV</itunes:author>
            <itunes:keywords>Pottery,Revival,Catawba ValleyFolkways,arts,craftsheritage,handcrafting,music,folklore,nature,North Carolina,UNC-TV,UNCTV</itunes:keywords>
            <itunes:explicit>no</itunes:explicit>
            <itunes:block>no</itunes:block>
        </item>
        <item>
            <title>Spinning, Dyeing and Weaving</title>
            <description>This is another episode from the first season of FOLKWAYS in 1982. While most of the artists in that first series are no longer with us, this is a chance to visit them again and see some of the very best and authentic folk art practiced in the southern Appalachians. Although the production tools available then can&apos;t match the quality of today&apos;s digital video, it&apos;s still a fascinating look back at part of our cultural heritage.
&lt;br /&gt;&lt;br /&gt;
You can subscribe to a MPG3 version of the whole series at &lt;br /&gt;
&lt;a href=&quot;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&quot;&gt;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&lt;/a&gt;</description>
            <link>http://podcast.unctv.org/folkways/fw_spin_weave.mp3</link>
            <author>webteam@unctv.org</author>
            <enclosure url="http://podcast.unctv.org/folkways/fw_spin_weave.mp3" length="13819991" type="audio/mpeg"/>
            <guid isPermaLink="false">EEF1D7DD-14C2-43AF-9F7E-141EBA0353C4</guid>
            <pubDate>Fri, 22 Dec 2006 10:12:59 -0500</pubDate>
            <itunes:subtitle>Spinning, Dyeing and Weaving</itunes:subtitle>
            <itunes:summary>This is another episode from the first season of FOLKWAYS in 1982. While most of the artists in that first series are no longer with us, this is a chance to visit them again and see some of the very best and authentic folk art practiced in the southern Appalachians. Although the production tools available then can&apos;t match the quality of today&apos;s digital video, it&apos;s still a fascinating look back at part of our cultural heritage.

The dark mountain cabin had splashes of color in the beautiful and intricate overshot woven coverlets, mats, and hangings. 

Wilma McNabb, in her eighties at the time of production, learned the art on her great-great grandmother&apos;s massive rough hewn loom. Her work is acknowledged as some of the finest in traditional weaving. She displays examples of her work and demonstrates how she works on a modern loom.

Barbara Miller of Pisgah, North Carolina explains the intricacies of overshot traditional weaving, from reading patterns to warping the loom and weaving the finished product. But before anyone could begin weaving, the person had to make the wool and flax into fiber and then dye it the proper colors.

Two ladies from Tennessee demonstrate these two very vital arts of rural life. Mary Frances Davidson, author of the book The Dye Pot, shows some of the many sources of dyes, from flowers, bark, plants, and insects. She illustrates the dyeing of indigo, a most prized color. Persis Grayson demonstrates the tedious craft of spinning thread from the raw materials a farmstead would have had available.</itunes:summary>
            <itunes:duration>28:47</itunes:duration>
            <itunes:author>UNC-TV</itunes:author>
            <itunes:keywords>Spinning,Dyeing,WeavingFolkways,arts,craftsheritage,handcrafting,music,folklore,nature,North Carolina,UNC-TV,UNCTV</itunes:keywords>
            <itunes:explicit>no</itunes:explicit>
            <itunes:block>no</itunes:block>
        </item>
        <item>
            <title>Traditions of the Cherokee Indians</title>
            <description>In Folkways Traditions of the Cherokee, you will meet some of these ancient masters who have held onto the old traditions. Amanda Swimmer demonstrates how to form and carve pottery into beautiful vases and bowls--all without the use of a pottery wheel. Eva Bigwitch has been making baskets since she was a child and uses rivercane, which she prepares by hand, dyes and then weaves into intricate designs that she cannot explain how to create. Walker Calhoun shows students at the Earthskills workshops in Georgia how to make a blowgun from rivercane and a dart from thistle and twigs, as Darry Wood interprets his movements. Amanda, Eva and Walker learned the traditions from watching their elders, teaching their children the traditions that are so dear to them. Although Walker plays songs to a banjo, an instrument not native to the Cherokee, he remembers the ancient Cherokee songs and dances and invites the Earthskills workshop students to participate in them with him. As the story concludes, Cherokee men and women talk about wishing to honor not just the traditions themselves, but the spirit behind them and the connection to the elements of the earth.
&lt;br /&gt;&lt;br /&gt;
You can subscribe to a MPG3 version of the whole series at &lt;br /&gt;
&lt;a href=&quot;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&quot;&gt;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&lt;/a&gt;</description>
            <link>http://podcast.unctv.org/folkways/fw_tradition_cherokee.mp3</link>
            <author>webteam@unctv.org</author>
            <enclosure url="http://podcast.unctv.org/folkways/fw_tradition_cherokee.mp3" length="12887111" type="audio/mpeg"/>
            <guid isPermaLink="false">2FD9531D-8B13-4D53-99D8-39FBC07799BA</guid>
            <pubDate>Fri, 22 Dec 2006 10:12:58 -0500</pubDate>
            <itunes:subtitle>Traditions of the Cherokee Indians</itunes:subtitle>
            <itunes:summary>Eva Bigwitch, a Cherokee, weaves baskets so graceful that they are featured in several mountain stores and museums. The Cherokee Indians were the first native North Carolinians, occupying the land for thousands of years. While they still live throughout North Carolina, they are most concentrated in the western mountains, especially along the Eastern Band of the Cherokee Indians. Their culture is rich with crafts, stories and traditions of living that cannot be matched by today&apos;s society. They weaved baskets and made pottery before the first English settlers even landed on the North American continent.

In Folkways Traditions of the Cherokee, you will meet some of these ancient masters who have held onto the old traditions. Amanda Swimmer demonstrates how to form and carve pottery into beautiful vases and bowls--all without the use of a pottery wheel. Eva Bigwitch has been making baskets since she was a child and uses rivercane, which she prepares by hand, dyes and then weaves into intricate designs that she cannot explain how to create. Walker Calhoun shows students at the Earthskills workshops in Georgia how to make a blowgun from rivercane and a dart from thistle and twigs, as Darry Wood interprets his movements. Amanda, Eva and Walker learned the traditions from watching their elders, teaching their children the traditions that are so dear to them. Although Walker plays songs to a banjo, an instrument not native to the Cherokee, he remembers the ancient Cherokee songs and dances and invites the Earthskills workshop students to participate in them with him. As the story concludes, Cherokee men and women talk about wishing to honor not just the traditions themselves, but the spirit behind them and the connection to the elements of the earth.</itunes:summary>
            <itunes:duration>26:50</itunes:duration>
            <itunes:author>UNC-TV</itunes:author>
            <itunes:keywords>Cherokee Indians,native american,Folkways,arts,craftsheritage,handcrafting,music,folklore,nature,North Carolina,UNC-TV,UNCTV</itunes:keywords>
            <itunes:explicit>no</itunes:explicit>
            <itunes:block>no</itunes:block>
        </item>
        <item>
            <title>Wade Mainer</title>
            <description>In the 1930s, North Carolina was a hotbed of early Country musicians, and Wade Mainer stood out above the rest.  With his singing and precise two-finger banjo style, Wade and his band created a distinct sound that bridged the gap between old-time mountain music and Bluegrass. Watch both Wade and Julia Mainer in action during Folkways: Wayne Mainer and enjoy the sweet music made by the man known as the “Grandfather of Bluegrass.” 
&lt;br /&gt;&lt;br /&gt;
You can subscribe to a MPG3 version of the whole series at &lt;br /&gt;
&lt;a href=&quot;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&quot;&gt;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&lt;/a&gt;</description>
            <link>http://podcast.unctv.org/folkways/fw_wade_mainer.mp3</link>
            <author>webteam@unctv.org</author>
            <enclosure url="http://podcast.unctv.org/folkways/fw_wade_mainer.mp3" length="13411209" type="audio/mpeg"/>
            <guid isPermaLink="false">946FFA26-05CD-42C3-A5FC-B44B29C45A20</guid>
            <pubDate>Fri, 22 Dec 2006 10:12:57 -0500</pubDate>
            <itunes:subtitle>Wade Mainer</itunes:subtitle>
            <itunes:summary>In the 1930s, North Carolina was a hotbed of early Country musicians, and Wade Mainer stood out above the rest.  With his singing and precise two-finger banjo style, Wade and his band created a distinct sound that bridged the gap between old-time mountain music and Bluegrass. 

Wade Mainer has received many honors and awards during his more than 60-year career in music, including the National Heritage Fellowshipfrom the National Endowment for the Arts, in 1987; the Michigan Heritage Award and the Michigan Country Music Association and Services&apos; Lifetime Achievement Award in 1996; and North Carolina’s Surry Arts Council Lifetime Achievement in 1998. The Mainers were also inducted into the Michigan Country Music Hall of Famein 1998. 

Watch both Wade and Julia Mainer in action during Folkways: Wayne Mainer and enjoy the sweet music made by the man known as the “Grandfather of Bluegrass.”</itunes:summary>
            <itunes:duration>27:56</itunes:duration>
            <itunes:author>UNC-TV</itunes:author>
            <itunes:keywords>Wade Mainer,Folkways,arts,craftsheritage,handcrafting,music,folklore,nature,North Carolina,UNC-TV,UNCTV</itunes:keywords>
            <itunes:explicit>no</itunes:explicit>
            <itunes:block>no</itunes:block>
        </item>
        <item>
            <title>Workers in Wood</title>
            <description>Folkways&apos; Workers in Wood will give you a new appreciation for wood carved figures and for life before assembly lines. For Emmett, Nolan and George, carving by hand is their passion and their final products are stamped with their tender care and talent.
&lt;br /&gt;&lt;br /&gt;
You can subscribe to a MPG3 version of the whole series at &lt;br /&gt;
&lt;a href=&quot;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&quot;&gt;http://podcast.unctv.org/rssfeeds/folkways_mp3_podcast.xml&lt;/a&gt;</description>
            <link>http://podcast.unctv.org/folkways/fw_workers_inwood.mp3</link>
            <author>webteam@unctv.org</author>
            <enclosure url="http://podcast.unctv.org/folkways/fw_workers_inwood.mp3" length="12911334" type="audio/mpeg"/>
            <guid isPermaLink="false">75F34933-1A9F-4831-89E3-8F5F4E0F406E</guid>
            <pubDate>Fri, 22 Dec 2006 10:12:53 -0500</pubDate>
            <itunes:subtitle>Workers in Wood</itunes:subtitle>
            <itunes:summary>Over 200 years ago, the early American settlers rode on vehicles and used items they made by hand. Wheelwrights and blacksmiths assembled wagons. Wooden dolls and toys bore the mark of their makers. These craftspeople used the materials that were available through nature--iron, copper, clay, stone and wood. Today, several North Carolinians continue the fine art of woodworking. Folkways&apos; Workers in Wood introduces us to wheelwrights and wood carvers who craft intricate figurines or dolls.

The journey begins in Tyler, North Carolina, where Emmett Jones describes the complex process of making a wagon wheel. Wheelwrights not only have to have carpentry skills, but they must also know blacksmithing. Emmett shows how he painstakingly carves and saws the axle to prepare it for the spokes and how he must measure the distance between the spokes before he adds the tire frame. Making the tire hones his blacksmith skills as he heats and shapes the metal to fit around the rim. Moving to Brasstown, the home of the annual Fall Festival at the John C. Campbell Folk School, we will see Nolan Beaver&apos;s small intricately carved wooden figures. In Thomasville, home of furniture in North Carolina, George Servance makes dancing wooden dolls of all varieties. He explains his use of different types of wood for each piece of the doll and shows how his dolls can tap dance to David Holt&apos;s guitar music.

Folkways&apos; Workers in Wood will give you a new appreciation for wood carved figures and for life before assembly lines. For Emmett, Nolan and George, carving by hand is their passion and their final products are stamped with their tender care and talent.</itunes:summary>
            <itunes:duration>26:53</itunes:duration>
            <itunes:author>UNC-TV</itunes:author>
            <itunes:keywords>Workers in Wood,carvers,Folkways,arts,craftsheritage,handcrafting,music,folklore,nature,North Carolina,UNC-TV,UNCTV</itunes:keywords>
            <itunes:explicit>no</itunes:explicit>
            <itunes:block>no</itunes:block>
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